Beth Ann Gerstein

Dirk Staschke: Nature Morte • April 9–September 18, 2016

On View: April 9–September 18, 2016 The American Museum of Ceramic Art is proud to present Dirk Staschke: Nature Morte, an exhibition of transgressive and lavish sculptures inspired by the unsettling and beautiful Flemish and Dutch Vanitas still-life paintings of the 16th and 17th centuries. These works offer a stunning commentary on contemporary craving, overconsumption, […]

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John Conrad: The Dichroic Effect • July 9–September 4, 2016

On View:July 9–September 4, 2016Reception:Saturday July 9, 2016 at 5PM The American Museum of Ceramic Art (AMOCA) is proud to present John Conrad: The Dichroic Effect. Combining the centuries-old technique of forming objects from clay and the very recent process of depositing metal on a vitreous surface, John Conrad has developed a first-ever application on

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Wendy Thoreson: Wrought Clay • July 9–August 28, 2016

On View:July 9–August 28, 2016Reception:Saturday, July 9, 2016 at 5PM The American Museum of Ceramic Art is proud to present Wendy Thoreson: Wrought Clay. Thoreson began her career as a functional potter. In her recent work, she challenged herself to make beautiful objects that would never belong in the kitchen cabinet. While Thoreson was in

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Lineage: Mentorship & Learning • January 16–June 19, 2016

On View:January 16–June 19, 2016 Lineage: Mentorship & Learning highlights the impact and importance of the teacher/student relationship. This exhibition illustrates the thread connecting multiple generations of ceramic artists, from Peter Voulkos to today’s students. For decades there has been an impressive variety and strength in California’s college and university ceramic programs. AMOCA invited 25

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Alexi Morrissey: Have You Seen Me? • January 16–June 26, 2016

On View:January 16–June 26, 2016 By putting the faces of real slaves on hand-crafted, archival, milk bottles, we are seeking to both repurpose the European obsession with pure white porcelain, as well as pay homage to the slave’s life—by attaching these precious images to a precious material we give the slave a dignified voice in

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