Queer Clay Artists in Conversation w/Alex Anderson and Julia Kunin
Thursday, September 14, 2023 • 5:00–6:00 PM (PDT) • Virtual
Join us for a virtual discussion with Alex Anderson and Julia Kunin, two of the talented artists behind our current exhibition Making in Between: Queer Clay.
Gain firsthand insights about how the inspiration, concept, and process works for these creative individuals. This panel of Queer Clay artists will dive into the cultural and social contexts that have shaped their artistic process. Artists will be joined by exhibition curators Beth Ann Gerstein and Pam Aliaga, who will offer insight into the exhibition concept and curatorial process.
The panel will be followed by a Q&A session, where you’ll have the opportunity to pose your own questions to the artists and curators.
The panelists:
Alex Anderson
Alex Anderson (he/him) received his Bachelor of Arts in Studio Art and Chinese from Swarthmore College and his Master of Fine Arts in Ceramics from the University of California, Los Angeles. Anderson previously studied at the Jingdezhen Ceramic Institute in Jingdezhen, China and was awarded a Fulbright Grant in affiliation with the China Academy of Art in Hangzhou, where he continued his studies in ceramic art. His work has been exhibited internationally, and across the US and Southern California, including at Human Resources, Los Angeles, The Long Beach Museum of Art, and the American Museum of Ceramic Art.
Julia Kunin
Julia Kunin (she/her) lives in Brooklyn, NY. She earned a B.A. from Wellesley College and an M.F.A. from The Mason Gross School of the Arts, Rutgers University. Solo exhibitions include: Mechanical Ballet at Kate Werble Gallery, NY, NY 2021 and Rainbow Dream Machine at McClain Gallery, Houston, TX 2020 -2021, Les Guerilleres Sandra Gering Gallery, NY, NY, 2015, Golden Grove, Barry Whistler Gallery, Dallas, TX, 2013, Nightwood, Greenberg Van Doren Gallery, NY, NY, 2012, Against Nature, Greenberg Van Doren Gallery, 2007, and Crimson Blossom Deutches Leder Museum, Offenbach, Germany 2002.
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